Incidentally, if you have an audio interface that has some spare I/O channels, you don’t need to use a virtual audio driver. If you are trying to do this on a DAW that runs on Windows, then you will need download and install both a virtual audio driver and a virtual MIDI driver (macOS already includes a virtual MIDI driver, known as IAC). If you are on a Mac, you will also want to download the free Blackhole virtual audio driver. I will explain the purpose behind each aspect of the setup so that if you are using a different DAW, you will be able to find the equivalent mechanisms to achieve the same goals. In this blog article I will demonstrate how to do this using Apple’s Logic Pro using virtual audio drivers. We will send MIDI messages into it from Gig Performer and we will receive the audio generated by the DAW back into Gig Performer. Conceptually, we are going to view the DAW as if it was a physical external multi-timbral hardware synth. Nevertheless, with most DAWs, it can be done and generally just requires a little bit of preparation. As an end user, I generally never use proprietary plugins because doing so locks one into a particular eco-system and also makes it difficult to collaborate with other musicians who have a different DAW. Many DAWs come with their own collection of proprietary plugins.
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